MARCELA is the jewel of the IZZYMEIMSAAB collection. A Maltese cross tile design of extraordinary sophistication, available in three scales — and engineered to produce six distinct prints from one premium set. This is the stencil for the maker who wants results that cross over from craft into interior design.
HOW THE LAYER SYSTEM WORKS
Four layers (A, B, C, D) produce 6 unique print combinations. Every combination reads as a different design:
→ Layer D alone: the Maltese cross in full presence — bold statement piece
→ Layer A + B: soft geometric ground
→ Layer A + B + C: the mid-complexity combination
→ Full A + B + C + D: the definitive MARCELA — maximum depth, maximum impact
→ Mix any two or three layers for endless variations
WHAT YOU'LL RECEIVE (DIGITAL)
• 4 SVG stencil layer files (A, B, C, D) in all three scales — 12 files total
• PDF combination reference sheet
• 300 DPI PNG exports at A3 size for all key combinations
• Full instructions PDF
DESIGNED FOR FABRIC AND INTERIOR CROSSOVER
MARCELA works on fabric, velvet, canvas, and linen. The lavender, coral, sage, and taupe palette is designed to coordinate with current interior colour trends.
PERFECT FOR
• Premium cushion covers
• Upholstery fabric panels
• Structured bags and totes
• Quilt feature blocks
• Puff paint statement cushions
• Gift and home decor projects like wall art, keepsake boxes etc
LICENCE INCLUDED
Every purchase includes a personal use and small commercial licence. You may use these stencils to create handmade items for personal use and for sale at craft fairs, markets, and online shops (up to 500 units per design per year).
The licence does NOT include: reselling or sharing the digital files, mass production, uploading to print-on-demand platforms (Printful, Printify, Redbubble etc). Extended commercial licences are available separately.
DIGITAL DOWNLOADS
Delivered instantly after purchase. Compatible with Cricut Design Space, Silhouette Studio, Adobe Illustrator, and Inkscape. Files are SVG and PDF format.
A note from Izzy:
"Marcela took the longest of any design to get right — that Maltese cross had to interlock perfectly or the whole thing fell apart visually. When it finally clicked into place, I knew it was the one I'd want on my own cushions."